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#OnThisDay: 1975, WGPR Becomes the First Black Owned and Operated TV Station

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Archival photograph by Nat Morris from WGPR-TV Historical Society

 

September 29, 1975- WGPR in Detroit becomes the world’s first black-owned-and-operated television station

WGPR-TV first aired on this day in 1975 via Channel 62 in Detroit. The station broadcast religious programs, R&B music shows, syndicated shows and older cartoons. The station did broadcast some locally-produced programming: Big City News, The Scene, and Arab Voice Of Detroit.

Big City News was a weekday newscast that focused on stories from an African American perspective, showcasing positive success stories. The Scene was a nightly dance show that offered young people a chance to show their dance moves. Arab Voice Of Detroit was a variety series aimed at the significant Arab American population in Detroit.

WGPR-TV was the first black owned and operated television station on the planet. At the time, it was hailed as an advance for African-American enterprises, with the “color line” having been broken by the station’s very existence. It was the owners’ vision that WGPR-TV provide African-Americans with training and experience in the television industry, allowing many local black people the opportunity to work behind the camera, doing the producing, directing and technical work that put together content that aired.

WGPR-TV failed to attract much of an audience outside the African-American community. After 1980, the station faced its most powerful competition from Black Entertainment Television (BET). With only an 800,000 watt signal compared with two million watts for other Detroit stations, WGPR-TV never reached an audience beyond Detroit.

The noble aims of the station did not translate into profit. During its tenure as an independent station, WGPR-TV was the lowest-rated television station in Detroit, with only a niche viewership even within its target audience. Viewers in Detroit were able to pick up Canadian-based CBC that had licensing rights to many American syndicated programs that would have otherwise likely aired on WGPR-TV. It did not help that it was located near the top of the UHF dial. This was before cable television, and most Detroit viewers never tuned past the local PBS station on channel 56.

But, from 1975 to 1987, The Scene introduced the middle part of the country to DiscoTechno, House and Hip-Hop. At its height, it was easily the hippest show around. It featured local young people as the integrated cast of dancers, and it brought in first-rate artists to perform live, no lip-synching. The show had Stevie Wonder, The Manhattans, Luther Vandross, Teddy Pendergrass,  The Spinners, The Supremes, Freda Payne, Curtis Mayfield, Billy Dee Williams, The O’Jays, Marvin Gaye, Gladys Knight & the Pips, DeBarge, Earth, Wind & Fire, and Barry White as musical guests. They even booked a local girl named Madonna. The local kids became celebrities in Detroit.

The Scene had a strong loyal following that grew to include city and the suburbs, white and black,  young and old. Nat Morris, the executive producer and host, provided many unknown artists with their first exposure, launching careers that went on to international fame. The Scene had an impact on Detroit the same way Soul Train had on a national level.

By the 1990s, WGPR’s on-air look seemed quite primitive. It was the only local station in the country which still used art cards instead of CGI for its announcements and newscasts.

In 1995, WGPR-TV was sold to CBS with much controversy from the black community, which felt that the station should remain under African-American ownership. Two months later, CBS changed the television station name to WWJ-TV and targeted its programming for a general audience. Today, minorities own just six percent of television stations in the country, and only six percent of FM radio stations.

The post #OnThisDay: 1975, WGPR Becomes the First Black Owned and Operated TV Station appeared first on The WOW Report.


#PriceCut!: HHS Secretary Tom Price Resigns Over Flying Private!

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Tom Price, the Health and Human Services Secretary, resigned today amid the scandal over his use of private airplanes. Speaking less than an hour before the resignation was announced, Trump bemoaned the optics of the matter, which he said obscured what otherwise had been a cost-saving tenure. Trump said.

I was disappointed because I didn’t like it, cosmetically or otherwise.

But the appearance of a millionaire Cabinet secretary flying routes easily navigated by far cheaper means proved an optics nightmare for an administration already accused of being out of touch with regular Americans.

The resignation was announced as Trump flew aboard Air Force One for yet another weekend at his golf club in New Jersey, at the expense of tax payers. Price offered a rosy picture of his future just last night, telling CNN that he “absolutely” planned to stay on as health secretary.

Yeah, no. Buh-bye. (Photo, YouTube; via CNN)

The post #PriceCut!: HHS Secretary Tom Price Resigns Over Flying Private! appeared first on The WOW Report.

Dolly Parton Shares Her Top Beauty Tips –#4. “There Is No Such Thing as Natural Beauty”

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Last week we were treated to a triad of fabulous at the Emmys when Lily Tomlin, Jane Fonda and Dolly Parton did a mini 9 to 5 reunion as presenters. Those three worked it OUT and the world ate it up.

If anyone knows about working it, it’s the original QUEEN of country. The icon is as famous for her look as she is her singing and songwriting.

Parton has learned and shared some very valuable lessons about self-image, self-respect, and the time-saving benefits of owning a wig with Vogue.

Just Be Yourself

Find out who you are and do it on purpose. A lot of people have said I’d have probably done better in my career if I hadn’t looked so cheap and gaudy but I dress to be comfortable for me, and you shouldn’t be blamed because you want to look pretty.

Whenever Possible, Avoid a Blowout

People always ask me how long it takes to do my hair. I don’t know, I’m never there.

Don’t Worry About a Diet

I tried every diet in the book. I tried some that weren’t in the book. I tried eating the book. It tasted better than most of the diets. My weaknesses have always been food and men—in that order.

Design the Woman You Want to Be

“There is no such thing as natural beauty. If I’m gonna have any looks at all, I’m gonna have to create them. I’m comfortable in my own skin, no matter how far it’s stretched.

Embrace the Art of Makeup Application

You don’t need to buy expensive cosmetics; almost anything will do if you know how to apply it. Until I was a teenager, I used red pokeberries for lipstick and a burnt matchstick for eyeliner. I used honeysuckle for perfume.

Grow Your Nails Out

My nails are my rhythm section when I’m writing a song all alone. Some day, I may cut an album, just me and my nails.

(Photo, YouTube; via Vogue)

The post Dolly Parton Shares Her Top Beauty Tips –#4. “There Is No Such Thing as Natural Beauty” appeared first on The WOW Report.

#GoodNews! – Hocus Pocus is Getting a Remake! #BadNews: New Cast

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Disney has made it official. A Hocus Pocus TV movie is in the works but the new project will have a new cast and new director.

Of course, the original Disney film starred three fabulous witches played by Bette Midler, Sarah Jessica Parker, and Kathy Najimy.

According to Deadline, the TV movie, in the early stages of development now, will be a “reimagining” of the original. Rumors of a remake or sequel have been bubbling for centuries.

(As for why it’s taken so long, Midler once joked that Disney was having “trouble finding a virgin.”)

The three original stars have all said they’d love to come back, so why not? SJP has said,

I would love that. I think we’ve all been fairly vocal about being very keen, but that hasn’t created any ground swell of movement.

Will Hocus Pocus still have some magic without the original Sanderson sisters? We shall see.

(Photo, Disney; via Vanity Fair)

The post #GoodNews! – Hocus Pocus is Getting a Remake! #BadNews: New Cast appeared first on The WOW Report.

#Cancelled!: Third “Sex and the City” Movie Is NOT Happening (Because of Kim Cattrall’s Demands)

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Sarah Jessica Parker has confirmed that the third Sex and the City film will not go ahead. The Daily Mail revealed that the reason is co-star Kim Cattrall‘s demands.

SJP was asked at the New York City Ballet Gala last night about the future of the film,

It’s over… we’re not doing it. I’m disappointed. We had this beautiful, funny, heartbreaking, joyful, very relatable script and story. It’s not just disappointing that we don’t get to tell the story and have that experience, but more so for that audience that has been so vocal in wanting another movie.

Parker’s confirmation came just hours after Daily MailTV announced that Cattrall had caused production to shut down just days before shooting was set to begin. Warner Bros had given the much-anticipated film the green light after months of speculation, and the movie was supposed to start filming in the coming days.

But the studio can no longer move ahead as Cattrall, 61, demanded they produce other movies she had in development or she wouldn’t sign up for the project and Warner refused to meet her demands. The company decided it wouldn’t be fair to fans to produce a movie with only three of the four main characters.

Actresses Sarah Jessica Parker, Kristin Davis and Cynthia Nixon had all signed on for the same upfront salaries. Neither Cattrall nor her reps could be reached for comment.

A source close to the production said:

The only reason this movie isn’t being made is because of Kim Cattrall. Everyone was looking forward to making this movie but Kim made it all about her, always playing the victim.

Kim had the audacity to tell Warner Bros that she would only do this if they made other movies she had in development. Ridiculous. Who does she think she is – George Clooney?

This franchise made her and let’s be frank, it’s all she is really known for.

Cast and crew don’t just show up to make a movie, they have to rearrange their lives. People turned down other jobs, were in the process of relocating to New York but she kept stalling and was always unavailable when answers from her were needed.“

Cattrall said in an interview last year that there was a slim chance of a third movie ever making its way to the box office.

Everyone is doing their own thing and if it was going to happen, it would have happened by now. It would be a challenge to do a third installment. It could be fun though. To say goodbye completely to Samantha would be pretty hard.

Another source said:

The script is fantastic. The fans would’ve loved the movie but Warner Bros couldn’t give in to her ridiculous demands.

Kim held everyone’s life up. Her behavior is beyond disappointing. We should’ve been shooting the movie and now everyone is wondering will this film ever get made.

Everyone is very sad that the fans will now miss out on what was a wonderful story about the lives of four of their favorite women.“

Much like her character Miranda, Cynthia Nixon was more pragmatic when asked by the Hollywood Reporter if there would be a third film?

I think we had a wonderful ride. I think it’s fine to let it go.

Bye-bye.

(Photo, HBO; via Daily Mail)

The post #Cancelled!: Third “Sex and the City” Movie Is NOT Happening (Because of Kim Cattrall’s Demands) appeared first on The WOW Report.

September 30th: It’s YOUR Birthday, Bitch!

#BornThisDay: Singer, Johnny Mathis

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Photograph from Columbia Records

September 30, 1935Johnny Mathis:

“As a child all I knew was that people kept asking me to sing and because I liked to please I would sing. It wasn’t until my dad told me that my singing made him happy that I began to think my voice might be good.”

Remember the wonderful moment when the house shakes and an eerie glow appears under the front door as a record player fills the place with the sound of Johnny Mathis singing Chances Are as we have the first ET encounter in Close Encounters Of The Third Kind (1977)?

Mathis was well represented in my parental units’ LP collection. I have loved his velvet voice for six decades. You kids know that I don’t go for the term “guilty pleasure”. I figure that in this world, we get to like what we like and I hold my Johnny Mathis Fan Club banner high.

In 1958, Johnny’s Greatest Hits was released after just a half decade of Mathis making records. His was the first ever Greatest Hits album in the music industry. It began the whole Greatest Hits thing copied by every record company since. Johnny’s Greatest Hits spent an unprecedented 490 consecutive weeks (9.5 years) on the Billboard album charts, a feat earning him a place in the Guinness Book Of World Records and not broken until the 1980s by Pink Floyd’s The Dark Side Of The Moon. Then in 1981, with the release of his 25th Anniversary Album, a double LP, it happened again with 500 consecutive weeks on the Billboard Top 100 album charts, staying there for a decade and giving him another record for the Guinness Book. Mathis has had six of his albums on the Billboard charts at the same time, an achievement equaled by only Frank Sinatra and Barry Manilow. He has recorded 66 albums, released 200 singles and had 72 songs charted around the world. Mathis is the third bestselling recording artist in this country. He had an album released in 1957 and he has a new one to be released in October of this year.

He has done 12 television specials and has appeared had over 300 guest appearances on variety series and talk shows, 35 on The Tonight Show alone. Johnny Carson named him the best ballad singer in the world. His 1998 Live By Request broadcast on A&E had the largest viewing audience of the series, bigger than Kurt Cobain’s.

He is Barbra Streisand’s favorite singer and one of mine.

Mathis was one of the first African-American pop singers to gain wide acceptance with white audiences in America. He also kind of came out of the closet in a 1982 US Magazine article where he said:

“Homosexuality is a way of life that I’ve grown accustomed to.”

I’ve grown accustomed to his face.

Mathis received death threats because of that 1982 magazine article and he no longer advertises his concerts, which somehow still continue to sell out. In the early 1990s, a group of Gay Rights activists were planning to “out” Mathis, when they suddenly discovered that he had already revealed his gayness.

Mathis has continued to live in the same house in the Hollywood Hills that he purchased in the early 1960s. He has been with the same record label Columbia for more than 57 years (he is Columbia’s longest serving artist). He has been my make-out music for 50 years.

In Barry Levinson’s Academy Award-nominated film Diner (1982), set in the postwar era, the character Eddie Simmons memorably asks his pals: “When you’re making out, which do you prefer, Sinatra or Mathis?”

Check out the chapter about Johnny Mathis in John Water’s terrific memoir Role Models (2010). In the Mathis essay, Waters remembers seeing a basement full of his friends French kissing to Johnny Mathis music. Waters explains:

“I knew then that not only did I want to be a teenager… I wanted to be an exaggeration of a teenager.”

Like me, Waters remains a fan of the singer and he writes that he was beyond thrilled to actually meet and interview the singer at his home. Waters positively gushes in his book.

Mathis was Texas born, but grew up in San Francisco and started doing gigs in the city as a teenager. Mathis was 19-years-old when he was discovered by famed jazz producer George Avakian who immediately sent a telegram to Columbia Records stating: “Have found phenomenal 19-year-old boy who could go all the way. Send blank contracts”.

 At San Francisco State University, Mathis was a celebrated track star. In 1956, he was invited to try out for the U.S. Olympic Team as a high jumper (that’s not a euphemism). He had to decide whether to go to the Olympic trials or to keep an appointment in NYC to make his first record. Things worked out for him.

 

Like many more he was not immune to career-wrecking perils, including becoming a favorite client of Dr. Max Jacobson. Dubbed “Doctor Feelgood”, the good doctor became notorious for administering his “miracle tissue regenerator” injections which were just vitamin B and amphetamines to his many famous patients. Mathis:

“I went to see him because I was doing five shows a night at the Copacabana in New York and got laryngitis. Everyone on Broadway went to him and so did the Kennedys. He gave me vitamin shots which brought my voice back beautifully but left me addicted. It was very traumatic but I just had to stop. I also drank too much, only champagne, and I never thought too much about it until I was talking to Nancy Reagan. We were sitting around chatting and having a drink and she asked if I always drank so much. I said yes and she said: ‘Well, don’t you think it’s bad for you?’ and I said: ‘Yes, but I don’t know how to stop.’ The next thing I know she collared the Chief of Staff and I’m on a plane to a rehab facility. I stayed three weeks and I haven’t drunk since. That was more than 30 years ago.”

He gives Nancy Reagan the credit for turning his life around, which is weird, because she made me do drugs. Wouldn’t you know it, an African-American gay Republican. But, he also has been vocal in his support Civil Rights and LGBTQ Rights, singing at the Salute To Freedom Concert in Birmingham, Alabama in 1963. I’ve heard about them. It’s okay, because, for me, it was always about the records with Mathis.

He continues to record and do concert dates. He is doing a St. Valentine’s Day concert with The Portland Symphony next year. I have seen him live a dozen of times. Once, I saw him in concert at a symphony hall and later that night I also caught The Pogues at a club. How about that for diverse taste in tunes?

The post #BornThisDay: Singer, Johnny Mathis appeared first on The WOW Report.

#QueerQuote: Margaret Cho


#Breaking: Puerto Rico’s Mayor Begs “Save Us From Dying” – Trump Responds By Slamming Her “Poor Leadership”

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By now we know that with Trump, EVERYTHING –even a natural disaster– is about him.

Last night on CNN, the Mayor of San Juan Carmen Yulín Cruz wore a black shirt that read:

“Help Us, We Are Dying.”

As she told Anderson Cooper,

People are drinking out of creeks here in San Juan. You have people in buildings and they’re becoming caged in their own buildings — old people, retired people that don’t have any electricity.

We’re dying here. We truly are dying here. I keep saying it: SOS. If anyone can hear us; if Mr. Trump an hear us, let’s just get it over with and get the ball rolling.

In a tweet this morning Trump took aim at her and Puerto Rico,

The Mayor of San Juan, who was very complimentary only a few days ago, has now been told by the Democrats that you must be nasty to Trump.

Such poor leadership ability by the Mayor of San Juan, and others in Puerto Rico, who are not able to get their workers to help. They want everything to be done for them when it should be a community effort. 10,000 Federal workers now on Island doing a fantastic job.“

Nearly two weeks after Hurricane Maria rammed into Puerto Rico as a Category 4 storm, millions in the US commonwealth remain without electricity and water, and limited access to gas and cash. At least 16 people have died as a result of the storm.

Mayor Cruz pushed back on Friday against acting Homeland Security Secretary Elaine Duke who said earlier that the government’s response in Puerto Rico,

is really a good news story in terms of our ability to reach people.

She said,

It’s not a good story when people are dying, starving, thirsty, when people can’t go back to work. I don’t know who in their right mind would say this is a good story to tell.

Duke, who traveled to Puerto Rico on Friday, said she was referring to how well everyone is working together.

The end of my statement about good news was, it was good news that the people of Puerto Rico, the many public servants of the US and the government of Puerto Rico are working together and … it’s nice to see communities together trying to recover and support each other.

Cruz said there’s a disconnect between the federal government plan and what’s happening on the ground.

If you register for FEMA on the Internet, you’re OK. Well, we don’t have any Internet. We barely have phones. We don’t have power anywhere… this is not standard operating procedure. Everything has just gone away so you have to improvise.

According to CNN,

Cruz said she and her family are staying at the Coliseum, along with more than 600 people seeking shelter there, sleeping in cots and eating the same food as everyone else after her house flooded.

For many in Puerto Rico, trying to get the basics like fuel has become a grueling, all-day affair.
About 675 of the island’s roughly 1,110 gas stations were working as of Friday evening, according to the Puerto Rican government’s website for information on the recovery.

In Loíza, residents waited for more than 10 hours for gas. The town’s deputy mayor, Luis Escobar summed it up as a chain that has been broken: “No fuel, no work, no money.”

Without gas or transport, people can’t get to work. Without work, there is no money to buy necessities.

After spending an entire day waiting for fuel, the following days are spent trying to get food and other basic supplies, residents say.

There’s also a cash scarcity. Many of Puerto Rico’s businesses, supermarkets and gas stations will accept only cash because credit card systems are down.

At least half of all bank branches remain shuttered, in part because they can’t get enough armored trucks with gas, or truck drivers, to deliver the cash safely. Roughly 90 open bank branches are limiting the amount people can withdraw per day, the governor said Friday, to ensure everyone can get some cash.

Despite all of the difficulties, Cruz said she had faith in the American people:

I know what the US heart is all about. You are intelligent, daring people, so I just don’t understand why things have become so complicated and the logistics are so insurmountable.

HERE ARE SOME WAYS YOU CAN HELP:

Hand In Hand
handinhand2017.com/
The Benefit for Hurricane Relief telethon raised more than 55 million so far for victims of Hurricanes Harvey, Irma and Maria. You can also text GIVE to 80077 to donate $25.

American Red Cross
redcross.org

Mexican Red Cross
cruzrojamexicana.org.mx

The Salvation Army
salvationarmyusa.org

Puerto Rican Family Institute
https://www.facebook.com/PRFIORG/

Oxfam America
oxfamamerica.org

Oxfam Mexico
oxfammexico.org

Save The Children
savethechildren.org

(Photo, YouTube: via CNN)

The post #Breaking: Puerto Rico’s Mayor Begs “Save Us From Dying” – Trump Responds By Slamming Her “Poor Leadership” appeared first on The WOW Report.

Trump Told Howard Stern That Ivanka & Don Jr. Wanted Tiffany Cut Out of the Will!?

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According to tape recordings, Ivanka Trump and Donald Trump Jr were apparently caught up in a battle to take away inheritance money from their sister, Tiffany Trump. A new archive of the conversations Donald Trump had on The Howard Stern Show.

Trump told Stern that Ivanka and Donald Jr. weren’t happy when they discovered they’d have another sibling. Stern’s co-host, Robin Quivers, asked, referring to the children’s inheritance,

Do your older children get nervous every time you have another child?

According to the tapes, Trump said to Stern,

I have a friend who is also like a very rich guy. And he said how his children hate the new children coming along and everything else; I said, ‘Yeah, because every time you have a child, it’s 20 percent less to the people [Inaudible].’”

Stern asked Trump if Donald Jr. and Ivanka were trying to,

bump off the other child.

Trump responded by saying,

Tiffany is great. I have a great child. And Tiffany, I have great children.

Stern asked,

Tiffany has taken out a hit on Melania’s new baby. Is there any truth to that?

Trump shot back,

Well, you know, it does cut up the pie as you keep producing.

If Tiffany doesn’t lose her inheritance, Trump said she and the rest of the Trumps would receive at least Trump Online University and Trump Ice, according to the tapes.

(After multiple lawsuits, Trump University is now defunct, Trump Ice, a bottled-water brand with Trump’s face splashed across the bottle, however is still in business.)

Tiffany is the daughter from Trump’s second marriage, to Marla Maples. She grew up with her mother in California.

And this isn’t the only time Tiffany has been the odd one out in a family of Trumps. On Election Day, Donald Trump said he was proud of Tiffany “to a lesser extent” than his other children. He told Fox News.

I’m very proud, because Don and Eric and Ivanka and—you know, to a lesser extent ’cause she just got out of school, out of college—but, uh, Tiffany, who has also been so terrific. They work so hard.

Keep your distance Tiffany, you’ll be better off in the long run.

NOTE: Newsweek exclusively obtained this previously unreleased audio and transcript from December 2005 from The Howard Stern Show, along with 15 hours of Trump talking to Stern from 1993 to August 25, 2015. An anonymous person sent the audio file earlier this month of the individual Trump-Stern interviews by Dropbox to the website Factba.se. The site developers requested the Stern-Trump interview audio files on Stern fan sites and Reddit earlier this year. It was made searchable for Newsweek before they were public for the first time on Monday.

Robin Quivers and Trump on the set of “The Howard Stern Show”

(Photo, YouTube, Howard Stern Show;via Newsweek)

The post Trump Told Howard Stern That Ivanka & Don Jr. Wanted Tiffany Cut Out of the Will!? appeared first on The WOW Report.

Lin-Manuel Miranda Blasts Trump for His Response To Puerto Rico “You’re Going Straight to Hell… No Long Lines for You!”

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Lin-Manuel Miranda blasted Trump over his attacks on San Juan Mayor Carmen Yulin Cruz who criticized the federal government’s response to the devastation that Hurricane Maria caused in Puerto Rico.

Trump hit back this morning on Twitter, slamming the mayor’s

poor leadership ability.

Miranda used Trump’s favorite means of communication to vent his anger at the commander in chief’s comments,

You’re going straight to hell. No long lines for you. Someone will say, ‘Right this way, sir.’ They’ll clear a path.

The Hamilton creator has family in Puerto Rico and is among a number of stars who have made emotional pleas on behalf of the territory.

Miranda has encouraged people to donate to the nonprofit Hispanic Federation, and is putting together an all-star charity single that will be available to buy on Oct. 6.

HERE ARE SOME OTHER WAYS YOU CAN HELP:

Hand In Hand
handinhand2017.com/
The Benefit for Hurricane Relief telethon raised more than 55 million so far for victims of Hurricanes Harvey, Irma and Maria. You can also text GIVE to 80077 to donate $25.

American Red Cross
redcross.org

Mexican Red Cross
cruzrojamexicana.org.mx

The Salvation Army
salvationarmyusa.org

Puerto Rican Family Institute
https://www.facebook.com/PRFIORG/

Oxfam America
oxfamamerica.org

Oxfam Mexico
oxfammexico.org

Save The Children
savethechildren.org

(Photo, YouTube; via Huffington Post)

The post Lin-Manuel Miranda Blasts Trump for His Response To Puerto Rico “You’re Going Straight to Hell… No Long Lines for You!” appeared first on The WOW Report.

#BornThisDay: Julie Andrews

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October 1, 1935Julia Elizabeth Wells:

“Sometimes I’m so sweet even I can’t stand it.”

Andrews has been open in her support of LGBTQ and Gay Rights. In an interview with The Advocate, she said that despite being aware of prejudice against gay people as a kid growing up in 1940s Britain, she couldn’t understand it. Asked when she first realized she was a friend of the LGBTQ community, Andrews replied:

“That’s hard to answer, because…. just always! I have to say, though, in my hometown, in my community, I was very aware of bias and bigotry, and couldn’t understand it.

Andrews began her career at 10-years-old, and she was around gay people from the start.

“Theatre, anyway, is such an open community and free. I was raised not to be that way and not to think that way, and it always seemed puzzling to me that the world wasn’t just embracing human beings. But it’s never been something that I stumbled on. It’s just always been innate, thanks I think to the professions that I am in. But also it’s the way I was raised.”

Her show for young people, Julie’s Greenroom, now streaming on Netflix, caused a stir with the Christian Right because of its inclusion of a gender-nonbinary character named Riley, who, by the way, is a puppet. The idea behind Julie’s Greenroom, was to teach children about the theatre world with the help of her puppet students. Another puppet character, Hank, is another example of the show’s diversity. Andrews:

“We tried to be as inclusive as we possibly could within the show. Hank has a handicap and yet it’s not really a problem, and he manages his life wonderfully and contributes so much.”

By the way, Julie’s Greenroom, produced by Andrews and The Jim Henson Company, is fun for adults. Guests have included Alec BaldwinSara BareillesDavid Hyde Pierce, Andrews’ pal Carol Burnett, and Adele Dazeem.

Now, I am not a big fan of The Sound Of Music, the film from 1965, the stage version, or the nearly unwatchable Sound Of Music Live!  which aired on NBC in December 2013. Unusual, because I like most musicals. All things Teutonic make me nervous, the story just rings false for me, and it is shameless treacle, in my opinion. I performed in it once, on stage in summer stock (I played a party guest and an off-stage nun). I took to calling it The Slime Of Mucus. Still, I am simply crazy for Julie Andrews, and her performance in the film. No one else could have made it work.

Andrews had quite the run of good movies at the start of her film career in the 1960s to early 1970s. Check out her acting chops in Alfred Hitchcock’s Torn Curtain (1966), Blake Edwards’ romantic The Tamarind Seed (1974), or the dark comedy, The Americanization Of Emily where she has combustible chemistry with handsome James Garner (1964). I am charmed by her singing and dancing performances in Thoroughly Modern Millie (1967) and the iconic Mary Poppins (1964). I know it is a bit of a mess, but I love her as the great stage star of the 1920s-1950s Gertrude Lawrence in the musical film Star! (1968). In 1957, Andrews starred in the premiere of Rodgers and Hammerstein’s written-for-television musical Cinderella, a live, network broadcast seen by over half the households in the USA..

There is notable investment in the films that cemented her alleged squeaky-clean image, as much as, if not more, than in stuff like S.O.B. (1980) and Victor/Victoria (1981). Yet, I see many of Andrew’s film performances as transgressive, subversive and life-changing forces, rather than sugary nannies and good girls. In musicals, Andrews’ unique performance style, in the tradition of Mary Martin and Ethel Merman can be read as camp, and yet stands on its own.

In Camelot (1960), photo by Friedman-Abeles, Wikimedia Commons

 

In 1960, Alan Jay Lerner and Frederick Loewe plucked her as a virtual unknown for the lead in My Fair Lady. Four years later, they cast her again, this time.as Guinevere in Camelot, opposite Richard Burton and Robert Goulet. However, because studio head Jack L. Warner decided Andrews lacked the name recognition for the 1964 film version of My Fair Lady, the role of Eliza Doolittle went instead to big star Audrey Hepburn. Warner:

“In my business, I have to know who brings people and their money to a cinema box office. Audrey Hepburn had never made a financial flop.”

Instead, Andrews took the title role of Disney’s Mary Poppins. Walt Disney had seen her in Camelot and thought she would be perfect for the role of the British nanny who is “practically perfect in every way!” Andrews turned it down at first because she was pregnant, but Disney firmly insisted, saying: “We’ll wait for you.”

Mary Poppins became the biggest box-office hit in Disney history. Andrews won the 1964 Academy Award and the Golden Globe Award for her performance, plus a 1965 Grammy Award for the soundtrack album. Andrews closed her acceptance speech at the Golden Globes with:

“And, finally, my thanks to a man who made a wonderful movie and who made all this possible in the first place, Mr. Jack Warner.”

I was never fortunate enough to have seen her on stage, but the Original Broadway Cast albums of The Boyfriend (1954), My Fair Lady (1956) and Camelot (1960) were part of my parents’ LP collection and received plenty of play when I frequently had the house to myself.

In her startling honest memoir Home (2008), Andrews writes about the bleak childhood that made her seem rather ruthless in real life. Her parents divorced and she was separated from her beloved brother. She lived with her remarried mother in dreadful poverty. Beginning in 1945, and for the next two years, Andrews performed spontaneously and unbilled on stage with her mother and stepfather. She would stand on a beer crate to sing into the microphone, sometimes a solo or as a duet with her stepfather, while her mother played piano:

“Then came the day when I was told I must go to bed in the afternoon because I was going to be allowed to sing with Mummy and Pop in the evening.”

Andrews’ big break came when her stepfather forced her to take a solo gig at the London Hippodrome singing the difficult aria Je Suis Titania from Mignon in the late night musical revue called Starlight Roof. She played the Hippodrome for a year.

At 13-years-old, Andrews became the youngest solo performer ever to give a Royal Command Performance before King George VI and Queen Elizabeth at the London Palladium.

In 1995, she starred in a stage musical version of Victor/Victoria. It was her first appearance in a Broadway show in 35 years. She was forced to quit the show towards the end of the Broadway run in 1997 when she developed a hoarseness in her voice. She had surgery to remove non-cancerous nodules from her throat. As it turns out, it was not nodules at all, just muscle strain on her vocal chords from performing in Victor/Victoria. The surgery brought permanent damage that destroyed her singing voice and left Andrews with a decided rasp to her speaking voice. In 1999, she filed a malpractice suit against the doctors who had operated on her throat. Originally, the doctors assured Andrews that she should regain her voice within six weeks, but it never returned. The lawsuit was settled in September 2000 for an undisclosed amount.

Her famous, four-octave soprano was reduced to a fragile, limited alto. Andrews:

“I can sing the hell out of Old Man River.”

Photograph by Eva Rinaldi, Wikimedia Commons

 

Still, her deeper voice brought her a warmth and strong presence and she continued to work steadily in films, dramatic, comedic and animated. She was the voice of The Queen in the Shrek franchise, and the Despicable Me series of films, including this year’s Despicable Me 3.

Andrews and her daughter Emma Walton are the authors of 16 books for children, all on the NY Times bestseller list.

That pure voice, the perfect posture and the prim, efficient British-ness of her performances brought her fame and awards. But, Andrews had an upbringing so appalling that it seems to have instilled in her a determination for success that led to her being both respected and feared in Hollywood in equal measure… or so I hear.

Andrews has long had something of a dual image, being both a family-friendly icon and a Gay Icon. She is notable as one of the few divas to enjoy a parallel popularization across both straight and gay audiences. Andrews has acknowledged her strange status:

“I’m that odd mixture of, on the one hand, being a gay icon and, on the other, having grandmas and parents grateful I’m around to be a babysitter for their kids…”

The post #BornThisDay: Julie Andrews appeared first on The WOW Report.

#QueerQuote: Cole Porter

#RIP: Condé Nast Publisher, S.I. Newhouse

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Samuel Irving “Si” Newhouse, Jr., chairman emeritus of Condé Nast, passed away today after a long illness, a spokesperson for the family confirmed.

Newhouse, together with his brother Donald, owned Advance Publications, whose properties include Condé Nast and dozens of newspapers across the United States. The company was founded by their father in 1922.

Newhouse ran the company’s magazine division, Condé Nast Publications (publisher of over two dozen titles), and served as its famously exacting and faithful chairman for 40 years, as he painstakingly developed what would become the foremost magazine publisher in the world. He retired in 2015.

I started at Condé Nast at 21, my first New York, job, and “Si” as he was know, was the quiet Big Daddy upstairs and definitely in charge. But he defied what The New York Times called

“the image of the media baron driven by love of limelight, political influence, or money.”

He often wore simple slacks and a New Yorker sweatshirt to work. (For YEARS he carried a worn out silver bag with a Glamour logo on it. You’d often see him in the lobby leaving with it mid-afternoon.)

He long supported titles and projects that were often initially derided but eventually revered. Vanity Fair was for years a chronic money loser, it eventually became one of the company’s best-selling titles.

The New Yorker’s Editor in Chief David Remnick told New York Magazine,

He loves magazines, meaning the whole and all of it, the variety of things published, the business details, the visions and actions and personalities of his editors, the problems, the problem-solving, the ink and paper . . . the all of it.

Anna Wintour, Condé Nast artistic director and Editor in Chief of Vogue said,

Si Newhouse was the most extraordinary leader. Wherever he led, I followed, unquestioningly, simply because he put as much faith in me as I had in him. Si never looked at data or statistics, but went with his instincts and expected his editors to do the same. He urged us to take risks and was effusive in his praise when they paid off.

Every time I’d preview the latest issue of Vogue with him, he’d encourage me to go for the less expected cover, the more compelling image. Yet there was nothing showy about the way Si led. This humble, thoughtful, highly idiosyncratic man, quite possibly the least judgmental person I’ve ever known, preferred family, friends, art, movies, and his beloved pugs over the flashiness of the New York media world. His personality shaped the entire company.

It might have been a huge global media entity, yet Si, who arrived at 4 a.m. every day in an unchanging uniform, ran it like his own personal and very benevolent fiefdom. We’d regularly have lunch—lunches which were scheduled by him six months in advance—and he’d arrive with a yellow legal pad, with maybe three words written on it. So few words, yet somehow, they encapsulated so many lessons, lessons which I still strive to put into practice every day I come to work.”

I have a funny secondhand story of Si, that by now I’ve repeated a dozen times. At Vogue‘s old offices at 350 Madison Avenue, there was a long hallway that ran down the editorial side. Assistants would sit in an outer office with no door, open to the hallway with their bosses, inside. (No, not like The Devil Wears Prada, but if you need a visual use a dingy, smaller 80s version…) The mailroom guys would deliver stuff up and down the hall to assistants all day long. You got to know them right away. A new assistant had started at Vogue and saw a short man in khaki’s, tennis shoes and a sweatshirt approaching and as he got near she stuck out her arm with a large mania envelope and said,

Will you take this to the mailroom, please?

The man stopped and looked at her, smiled and took the package. That man was her boss, billionaire, Si Newhouse.

Si Newhouse was 89.

(Photo, Wikimedia Commons; via Vogue)

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#TwitterStorm: Trump Makes Things Worse By Tweeting About Puerto Rico 18 TIMES in 11 Hours!

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Yulin Cruz speaking to Anderson Cooper

Yes, in an 11-hour period starting yesterday at 7:19 a.m. and ending at 6:46 p.m., Trump tweeted –yes, 18!– times about the dire situation in Puerto Rico following the devastation brought by Hurricane Maria.

The tone of those tweets, according to CNN: Negative, defensive and dark.

Trump’s began attacking San Juan Mayor Carmen Yulin Cruz. He responded to Yulin Cruz by saying,

The Mayor of San Juan, who was very complimentary only a few days ago, has now been told by the Democrats that you must be nasty to Trump. Such poor leadership ability by the Mayor of San Juan, and others in Puerto Rico, who are not able to get their workers to help. They want everything to be done for them when it should be a community effort. 10,000 Federal workers now on Island doing a fantastic job.

Had Trump just sent those three tweets hitting Yulin Cruz, it would have been a bad enough. But did he stop there…?

Nope. Trump spent the next eight(!) hours tweeting a series of attacks against the so-called “fake news” media for allegedly misrepresenting the actions of his administration in Puerto Rico.

Fake News CNN and NBC are going out of their way to disparage our great First Responders as a way to ‘get Trump.

Not fair to FR or effort!

The Fake News Networks are working overtime in Puerto Rico doing their best to take the spirit away from our soldiers and first R’s. Shame!.“

Today’s NY Daily News

None of that comes even close to Trump’s claim that the news networks are working to

disparage our great First Responders” or that the media is “doing their best to take the spirit away from our soldiers.

As CNN’s Cris Cillizza said,

Trump is trying to divide the country as a way to deflect blame for his administration’s performance.

Trump’s willingness to divide, to turn every situation in which he is questioned or criticized into an “us” vs “them” is well documented by now. The 2016 election was an 18-month master class in how to divide the country for your own political gain. Trump’s handling of the white supremacist violence in Charlottesville, Virginia, and his deliberate decision to pick a fight with (mostly black) NFL players over the national anthem illustrate that same perpetual need to divide.

That default divisiveness makes Trump different than every person who has held the office before him. For the 43 previous presidents, their ultimate goal was to find ways to remind people in the country of our common humanity, to take the high road, to appeal to our better angels. Many of them missed that mark — often badly — but it was always their North Star.

18 tweets. 11 hours. And Americans suffer.

(Illustration, CNN; via CNN)

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#WhatTheWorldNeedsNow: A New Atlanta Exhibit Illustrates Where We Are Today…

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Ruben Natal-San Miguel

New York photographer and WOWlebrity Ruben Natal-San Miguel just shot amazing pics of DragCon NYC that you might have seen here on The Wow Report. He invited me to contribute to this new exhibit curated by himself and artist Anita Arliss

What the World Needs Now

It runs through October 7, Thursdays through Saturdays: noon-5 PM. Or by appointment: 404-821-2585. B Complex Gallery, 1272 Murphy Ave. SW, Atlanta.

If your aren’t in Atlanta, here are some of the artists exhibiting and images from the opening.

Aline Smithson

Alli Royce Soble

Amy Elkins

Andi Schreiber

Anita Arliss

Declan Schoen

Di Biase

Jill Waterman

Keris Salmom

Lauren Welles

Nina Weinberg Doran

Susan Carr

Susan Keiser

Susan Rosenberg Jones

Trey Speegle

My print of the image above is available on TWYLA.com.

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#ArtDept: “Saint Sébastien” by Nicholas Régnie

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Saint Sébastien by Nicholas Régnier (1588- 1667)

There is nothing particularly unusual about a Gay Icon who is young, beautiful, and shirtless. But what if this icon came from the history and teachings of Christianity?

Saint Sebastian was martyred in 287, but even today he continues to beg the question of what makes for a Gay Idol, including the appropriation from Catholic Church history and its martyrs to the visual, literary, film and stage works of many LGBTQ artists.

He has had various images throughout history: “The Plague Saint” during the Middle Ages; the shimmering loin-clothed beauty of The Renaissance, writhing in the ecstasy of the arrows that pierce him; a decadent androgynous figure in the late 19th century; Sebastian has long been known as the gay people’s saint.

According to the Church, Sebastian was a young nobleman from Milan, serving under the Emperors Diocletian and Maximian, who came to the rescue of two Christian soldiers, Marcellinus and Mark, and thereby came out of the closet about his own Christianity. Diocletian insisted that Sebastian be shot to death by his fellow archers, leaving him for dead.

Sebastian survived after having been nursed back to health by Saint Irene. Diocletian ordered a second execution, and this time Sebastian was beaten to death by soldiers in The Hippodrome.

Sebastian’s success as a saint is his ability to be all things to all people. Along with the famous arrows, the symbol of his martyrdom is the rope that binds his hands; yet Sebastian just won’t be tied down. His face never reveals the agonies of his body. His beauty and his pain are eternally separated from each other. This made him proof against plague in the 1300s, and, in these terrible times, it still does.

Régnier was a Flemish painter who studied in Antwerp, but was one of the few painters from Northern Europe to have lived and painted in Rome during another Gay Saint, Caravaggio’s lifetime. Not a whole lot is known about Régnier’s life, but records show that he was in Rome in the roaring 1620s.

He later relocated to Venice, which is where things were really happening. In Venice, he moved away from Caravaggism, developing his own highly decorative style. Régnier’s work in Venice was affected by the paintings of the German painter Johan Lys, who was also working in Venice. His influence is particularly evident in Régnier’s newly painterly depiction of naked male flesh. Régnier, or Nicki Renieri, as he was known in Italy, remained in Venice for the rest of his life. In addition to painting, he began collecting and selling antiques, which must have been super old considering this was already the Baroque Period. He had an important collection of art by other artists, cookie jars, and assorted ephemera.

Saint Sébastien, the painting, now lives in the Musée Des Beaux-Arts in Rouen.  Sebastian’s poor, pierced body is at San Sebastiano Fuori Le Mura in Rome, although bits and pieces of him can be found in other holy places including Saint Medard Abbey in Soissons, which houses his cranium.

Régnier’s other work, and he was prolific, can been seen at Galleria Uffizi, Musée du Louvre, Muzeum Narodowe in Warsaw, Museum Of Fine Arts in Budapest, The Staatsgalerie Stuttgart, The Detroit Institute Of Arts, The Hermitage Museum, and The Fogg at Harvard University.

Self portrait, 1623

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#Update: Shooting on the Las Vegas Strip, At Least 50 Dead, 200+ Wounded

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UPDATE: A gunman opened fire at a concert outside the Mandalay Bay Hotel in Las Vegas last night, sending people fleeing.

More than 50 victims died, and at least 200 others were wounded, officials said, making it the deadliest mass shooting in U.S. history.

Sherriff Lombardo told reporters at a news conference earlier,

Now as far as number of victims I cannot give you an accurate number at this point. We have well in excess of a hundred plus injured and excess of 20 plus that have died.

A video posted online shows Jason Aldean performing outside the hotel at Route 91 Harvest, a country music festival, interrupted by the sound of automatic gunfire as concertgoers ducked for cover.

Shortly before midnight the Las Vegas Police Metropolitan Police Department reported that “one suspect is down,” and soon thereafter the police said they did not believe there were any more active gunmen.

More thanwenty-six people were admitted to the hospital, Danita Cohen, a spokeswoman for University Medical Center, told The Associated Press. At least 50 have died, and more are in critical condition.

One officer reported that civilians were “trying to take patrol cars,” but it was not clear why. One officer is in critical condition.

A concertgoer, Robyn Webb, told The Las Vegas Review-Journal,

It just kept coming. It was relentless.

The police reported closing off about a mile of Las Vegas Boulevard and asked the public to steer clear of the area. The gunman, who has been killed, was reportedly shooting from the 32nd floor of the Mandalay Bay Hotel.

The hotel itself was placed on virtual lockdown after the shooting. Todd Price, a guest of Mandalay Bay, told CNN.

We went into the hotel and they started shutting down casinos. We tried to get into our rooms, and they shut down the elevators and started to get everybody out.

McCarran International Airport in Las Vegas said that some flights destined for the airport were diverted because of police activity. The airport is just east of the Mandalay hotel, and after the shooting there were reports of people fleeing the concert by running onto an airport runway.

(Photo, Twitter; via NY Times)

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October 2nd: It’s YOUR Birthday, Bitch!

#BornThisDay: Photographer, Annie Leibovitz

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From Weekly Dig via Wikimedia Commons

 

October 2, 1949– Annie Leibovitz:

“A thing that you see in my pictures is that I was not afraid to fall in love with these people.”

Leibovitz was always my choice to shoot the cover for my much anticipated first album Low Hanging Fruit. I would have given the world’s greatest living portrait photographer full creative carte blanche, trusting her to bring out the authentic Stephen.

In 1970, Leibovitz approached Jann Wenner, the gay founding editor of Rolling Stone Magazine, which he’d recently launched and was operating out of a funky office on Brannan Street in San Francisco. Impressed with her portfolio, Wenner gave Leibovitz her first assignment: photographing John Lennon. Leibovitz’s black and white portrait of the former member of The Beatles graced the cover of January 21, 1971 issue. Two years later she was named the magazine’s chief photographer.

In 1980, Rolling Stone sent Leibovitz to photograph Lennon and Yoko Ono, who had recently released their amazing album Double Fantasy. For that portrait, Leibovitz imagined that the pair would pose naked. Lennon took off his clothing, but Ono refused to take off her pants. A disappointed Leibovitz told Ono to leave her clothes on. Leibovitz:

“We took a single Polaroid and the three of us knew it was profound right away.”

The result shows Lennon naked and curled around a fully clothed Ono. It would be iconic anyway, but just hours later Lennon was murdered, shot dead in front of his residence at the famed Dakota Apartments on Manhattan’s Upper West Side. The photograph was the cover of the Rolling Stone Lennon Commemorative issue. In 2005, the American Society Of Magazine Editors named it The Best Magazine Cover of the 20th Century.

In 1983, Leibovitz left Rolling Stone to work for Vanity Fair. With a wider choice of subjects, her portraits for Vanity Fair ranged from Presidents to writers to rock stars. Her covers for the magazine have featured Leibovitz’s stunning and frequently controversial portraits of celebrities: a naked and very pregnant Demi Moore, Whoopi Goldberg sitting in a bathtub of milk and summer 2016’s Ms. Jenner’s Call Me Caitlyn, are among the most remembered.

Always noted for her ability to make her subjects become physically involved in her work, one of my most favorite Leibovitz portraits is of the late, great gay artist Keith Haring, who painted himself like one of his canvases for his photograph.

At the end of the 1980s, Leibovitz worked on several campaigns that changed the advertising world, including the terrific, revealing American Express Membership ads featuring her portraits of celebrity cardholders, including writer Elmore Leonard, Tom Selleck and Luciano Pavarotti. This work earned her the Clio Award, the advertising biz version of Oscar.

“I don’t have two lives. This is one life, and the personal pictures and the assignment work are all part of it. I try for the most intimate, it tells the best story, and I care about it.”

Leibovitz became the first American to take a portrait of Queen Elizabeth II in 2007, which became controversial after the BBC claimed the Queen had walked out of the shoot in a huff when, in fact, she had not.

Leibovitz has been made a Commandeur Des Ordre Des Arts Et Des Lettres by the government of France. She has been designated a Living Legend by the Library Of Congress. Her first museum show Photographs: Annie Leibovitz 1970-1990 was held at the National Portrait Gallery in Washington, D.C. in 1991 and it toured internationally for six years. At the time she was only the second living portraitist and the only woman to have been featured in an exhibition by that institution.

In 1998, Leibovitz met Susan Sontag while photographing the noted writer for her book AIDS And Its Metaphors (1989). The pair became lovers, but kept separate apartments. I like that. Leibovitz:

“I remember going out to dinner with her and just sweating through my clothes because I thought I couldn’t talk to her. Sontag told me: ‘You’re good, but you could be better’.”

Sontag’s influence on Leibovitz was profound. In 1993, Leibovitz traveled to Sarajevo during the Balkans War, a trip that she admits would not have taken place except for Sontag’s insistence. Among her pieces from that trip is Sarajevo: Fallen Bicycle Of A Teenage Boy Just Killed By A Sniper, a profoundly powerful black and white photograph of a bike collapsed on blood-smeared pavement. Sontag, who wrote the accompanying essay, also conceived Leibovitz’s book Women (1999). The book includes images of famous females along with those not so well-known. Celebrities Susan Sarandon and Diane Sawyer share pages with female soldiers in basic training and Las Vegas showgirls in and out of costume.

The couple was together 15 years, until Sontag left this world at the end of 2004. Leibovitz gave birth to her first child, a daughter, when she was 51-years-old. Five months after Sontag’s passing, she had twin girls.

Leibozitz chronicled the end of Sontag’s time on our pretty planet, including controversial, often contentious, photographs of Sontag in her hospital room at Fred Hutchinson Cancer Research Center in Seattle, barely recognizable, but unmistakably dying. At around the same time, she was also photographing her 91-year-old father as he was losing his battle with that damn cancer in 2005.

“Every single image that someone would have a possible problem with or have concerns about, I had them too. This wasn’t like a flippant thing. I had the very same problems, and I needed to go through it. The fact that they came out of a moment of grief gave the work dignity.”

Leibovitz has never been exactly forthcoming about being gay. Choosing the closet or not, my admiration for her work knows no bounds. It is difficult for me to find a favorite photograph to be named my favorite, this morning I would choose Meryl Streep for Rolling Stone.

Her exhibition, Women: New Portraits, is currently touring around the globe. Gloria Steinem, whose image is hanging in the exhibition, says of Leibovitz:

“She looks beyond gender, beyond stereotypes, beyond masks of the day, to show us that everything alive is both universal and unique. Including me. Including you.”

Leibowitz doesn’t shoot portraits exclusively. Her series of 2013 photographs, gathered in a book with the weighty title Pilgrimage, focuses primarily on rooms, landscapes and objects once lived in and used by such famous figures as Abraham Lincoln, Elvis Presley, Emily Dickinson, Annie Oakley, Charles Darwin, Ansel Adams and Georgia O’Keeffe.

If you can only afford to have one of her many books of pictures, choose Annie Leibovitz At Work. My copy now lives at The Husband’s shop, Boys’ Fort, in Downtown Portland. If you are around, stop in and have a seat on a piece of hand-crafted furniture and have a look.

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